Ep. 14: Braveheart


In this episode, Nate rights a nearly 20-year wrong and gets Ryan to watch Braveheart for the first time.  Nate’s been a fan since childhood, and given Ryan’s well known aversion to epic period movies, this has the makings of a battle worthy of…well, an epic war movie.  With Scottish freedom on our minds, it’s only right that we honor the recent vote in Scotland with one of the most revered movies about Scottish freedom.

Braveheart is a very loose retelling of the fight of William Wallace to fight for the freedom of Scotland and to avenge the death of his wife.  The kilts, blood, meaningful gazes, and political backstabbing is in full force, as Gibson brings the violent war epic together with romance in a film the whole family will enjoy!

As always, tell us what you think about what we think about Braveheart.  Are you one of those who have loved it as much as you’ve always loved it?  Has your love waned over the years?  Has it been nearly 20 years since you’ve seen it?  Does Mel Gibson’s charm still make you swoon?

Ep. 13: American Movie

Screenshot 2014-02-24 18.03.47In this episode, Nate and Ryan discuss the listener-suggested, landmark 1999 documentary American Movie.  Director Chris Smith profiles independent filmmaker Mark Borchardt, a Milwaukee native who dreams of finally making the film that has been brewing inside him from childhood.  With aspirations only outsized by his debts and with self-motivating talk that only barely drowns out the detracting voices of his family, Borchardt gathers together friends and other aspiring filmmakers to help complete “Coven.”

While American Movie is held in high esteem, it has its fair share of critics who question the attitude the audience is supposed to take toward Borchardt.  As always, Nate and Ryan don’t shy away from the tough questions and tackle those issues head-on, man.

American Movie is streaming on Crackle.

During the episode we mention this recent interview with director Chris Smith on The Dissolve.

Also, we spend some time talking about Jodorowsky’s Dune. We both highly recommend it.

Ep. 12: Garden State


Ten years after the release of Garden State, writer/director/star/punching bag Zach Braff has come out with a new movie, Wish I Was Here.  The reception was ambivalent to negative, a stark contrast to the general reception of Garden State.  Nate and Ryan hadn’t seen Garden State in years, but couldn’t help but notice that the general perception of the film and of Braff has been quite venomous.  They decide to rewatch the film to try to determine if the backlash is warranted.

Garden State tells the story of a depressed struggling actor played by Braff, who goes home for the first time in nearly ten years following the death of his mother.  He is given a new outlook on life when he meets an unsettling a quirky young woman (Natalie Portman) who helps him enjoy life.

After listening, tell us your thoughts.  Have you rewatched it recently?  Is there anything we missed?  Jump into the discussion and add your thoughts.

Episode 11: Hook


The recent death of Robin Williams came as a shock to everyone.  It was especially shocking to us, as just days before Williams’ death, we recorded this episode on Hook. Though we couldn’t have known what would happen, we are glad that we had so recently been able to discuss and celebrate Williams through his work in this film.  There is no shortage of material on Williams this week, some of it sincere and meaningful, some of it capitalizing on the inevitable fascination with the details.

Please be assured that this film was chosen weeks ago and we recorded it before (albeit a mere two days) his tragic death.  It is not a crass attempt at clickbaiting, it is a genuinely thoughtful discussion of a film that has meant a lot to us since we first saw it as children.

In fact, this may be a tremendously fitting film to watch as one remembers Williams.  If you were a child who grew up with Hook, it is a great reminder of the impact Williams had on you and will immediately recall just what it is about him that is so touching.  If you haven’t seen it, or weren’t a child in 1991, this movie is a great example of Williams ability to pull ethos and humor from a character that could have been flat and uninspired.

It might be difficult, in hindsight, to see Williams so ably play a character who has lost sight of his happy thoughts, but it is also especially poignant to watch how beautifully Williams performs the scenes where he discovers what makes him happy.  It’s a reminder to all of us that it is never too often, too late, or too trite to think about what makes us happy and to appreciate those people in our lives who make life “the only adventure worth living.”

It struck both of us, that as people paid tribute to Williams, many people our age mentioned Hook as one of the movies that impacted them.  This movie may not have critical acclaim, but there is something about this movie in particular that comforts and enthralls, and we were delighted to revisit it.

As Nate mentions in the beginning of the episode, there may be aspects of our conversation that strike listeners as insensitive, in light of what has occurred this week. In particular, there is a part where we discuss a scene in which Hook threatens suicide and it is played for humor.  In our discussion we are talking only about how the scene works in the film and are in no way making light of suicide or the agony that can lead a person to that point.

Episode 10: Scott Pilgrim vs The World

Film Title: Scott Pilgrim vs. the WorldWe’re in full summer movie swing with a discussion about Edgar Wright’s 2010 action-comedy Scott Pilgrim vs. The World.  This energetic adaptation of Bryan Lee O’Malley’s graphic novel series stars Michael Cera as the titular hero.  In this episode, Ryan and Nate square off in an epic battle which sees Ryan trying to convince Nate that he’s missing out by not joining Team Pilgrim.

Bryan Lee O’Malley also happens to have released a new graphic novel, Seconds, which you would do well to check out if you are a fan of Scott Pilgrim.

This movie has its fair share of ardent fans and bitter detractors.  No matter which side you land on, tell us what you think.  If this is a niche movie, does it scratch your niche?  Do you buy Ryan’s assertion that this movie, while a tremendously fun ride, also has more to offer?  Do you agree with Nate that the movie doesn’t do enough with its characters to make you care?

We spend a lot of time discussing a list of The Top 50 Summer Blockbusters which was compiled by the staff of The Dissolve.  You’ll find their criteria for a summer blockbuster, as well as their list broken up into part 1, part 2, and part 3.

Just for good measure, here’s Tony Zhou’s amazing analysis of Edgar Wright’s flare for visual comedy.